Books Available for Download as PDF Files:

— Art Works and Traces. Forthcoming Books, 2024

— Explicit and Implicit Variations on Hitchcock. Lebanon: Beirut Art Center, 2023

— Radical Closure. Singapore: National Gallery Singapore, 2020

— Postscripts. Stockholm: Moderna Museet; Amsterdam: Roma Publications, 2020

— What Was I Thinking? Berlin: e-flux journal-Sternberg Press, 2017

— The Dancer's Two Bodies. Sharjah, UAE: Sharjah Art Foundation, 2015

— Forthcoming, 2nd ed. Berlin: e-flux journal-Sternberg Press, 2014

— What Were You Thinking? Berlin: Berliner Künstlerprogramm/DAAD, 2011

— The Portrait of the Pubescent Girl: A Rite of Non-Passage. Forthcoming Books, 2011

— What Is the Sum of Recurrently? Istanbul, Turkey: Galeri Nev, 2010

— Graziella: The Corrected Edition. Forthcoming Books, 2009

— Over-Sensitivity, 2nd ed. Forthcoming Books, 2009

— The Withdrawal of Tradition Past a Surpassing Disaster. Forthcoming Books, 2009

— Undeserving Lebanon. Forthcoming Books, 2007

— Two or Three Things I'm Dying to Tell You. Sausalito, CA: Post-Apollo Press, 2005

— ‘Âshûrâ’: This Blood Spilled in My Veins. Beirut, Lebanon: Forthcoming Books, 2005

— (Vampires): An Uneasy Essay on the Undead in Film, revised and expanded edition. Sausalito, CA: The Post-Apollo Press, 2003

— Distracted, 2nd ed. Berkeley, CA: Tuumba Press, 2003

— Undying Love, or Love Dies, Sausalito, CA: The Post-Apollo Press, 2002

Film Scripts:

— Jouissance in Postwar Beirut (Forthcoming Books, 2014; a searchable PDF file of the film script is available here)

Translated Books:

French:
— Le Retrait de la tradition suite au désastre démesuré, trans. Omar Berrada and Ninon Vinsonneau. Paris: Les Prairies ordinaires, March 2011.

German:
— Credits Included/Abspann inclusive, trans. Christoph Nöthlings. Vienna, Austria: Thyssen-Bornemisza Art Contemporary, 2011.

Booklets Available for Download as PDF Files:

— Reading, Rewriting Poe’s “The Oval Portrait”—Angelically, part of dOCUMENTA (13)’s “100 Notes–100 Thoughts,” English/German (Ostfildern, Germany: Hatje Cantz, 2011).

— “How to Read a Text Past a Surpassing Disaster?” This Ottoman translation by Selim S. Kuru of pp. 56–79 of my book The Withdrawal of Tradition Past a Surpassing Disaster (Forthcoming Books, 2009) is part of my mixed-media work How to Read an Image/Text Past a Surpassing Disaster? “Blind Dates: New Encounters from the Edges of a Former Empire,” guest-curated by Defne Ayas and Neery Melkonian, Pratt Manhattan Gallery, New York, November 19, 2010–February 12, 2011.